In the globalization age culture and art confirm the identity of territorially small Latvia and the self-confidence of small Baltic peoples which spiritual rituals, folklore and construction shoved an organic intimacy with nature that led to environment-making traditions. At the beginning of the 20th century in start-up the phase of mass culture a new spatial arrangement concept developed. The urban environment went into artistic attention. Perception of urban aesthetics changed. Architectural and artistic synthesis became important. In the Republic of Latvia monumental sculpture flourished and won democratic orientation. According to aesthetic principles, folk heritage was used in art, and in the urban environment, folk-nature monuments appeared. Symbolism increased nation self-confidence and united people to consume of common objectives.